I Read/I Wrote: Kellye Garrett

In the I Read/I Wrote series, authors introduce a book they loved–in the genre in which they write–and share one of their own books.


GENRE: Private Investigator

I READ: One for the Money by Janet Evanovich

One for the Money by Janet Evanovich introduced the world to my favorite Jersey Girl, Stephanie Plum. Stephanie is an out-of-work lingerie buyer who blackmailer her cousin into letting her become a bounty hunter. Her first assignment? A cop who also took her virginity.

I still remember the first time I discovered the series as impressionable high school student in a since-closed Barnes and Noble in Livingston, New Jersey. I’ve happily followed Stephanie’s adventures for twenty five books now and I’m always amazed at how Evanovich is able to make you laugh even in the most scary situations. #WriterGoals

I WROTE: Hollywood Ending

Hollywood Homicide and Hollywood Ending are the first two books in the Detective by Day Mystery series from Midnight Ink. The series centers on a semi-famous, mega-broke black actress who takes on the deadliest role of her life: private detective. The first in the series, Hollywood Homicide, won the Agatha, Anthony, Lefty, and IPPY awards for Best First Novel. The second, Hollywood Ending, came out in August. As you can imagine from above, I was thrilled when Library Journal wrote that “fans of Janet Evanovich’s Stephanie Plum series will feel right at home.” Reading Hollywood Ending. #HeartBeStill


Kellye Garrett writes the Detective by Day mysteries about a semi-famous, mega-broke black actress who takes on the deadliest role of her life: Homicide Detective.  The first, Hollywood Homicide, won the Agatha, Anthony, Lefty, and Independent Publisher “IPPY” awards for best first novel. The second, Hollywood Ending, was released on August 8, 2018 from Midnight Ink. Prior to writing novels, Kellye spent eight years working in Hollywood, including a stint writing for Cold Case. She now works for a leading media company and serves on the Board of Directors for Sisters in Crime as the organization’s Publicity Liaison.  You can learn more at KellyeGarrett.com and ChicksontheCase.com.

I Read/I Wrote: Jennifer Kincheloe

In the I Read/I Wrote series, authors introduce a book they loved–in the genre in which they write–and share one of their own books.


GENRE: Historical Mystery

I READ: Crocodile on the Sandbank by Elizabeth Peters

I stumbled on Elizabeth Peter’s Amelia Peabody series by randomly downloading titles from the Denver Public Library. These books have it all–intrigue, fine prose, romance, a rich historical setting, and, above all, hilarity. My husband and I giggled all the way through them.

The books are set in late 19th century Egypt and feature Peabody, an eccentric English Egyptologist, and her beast of a love interest, Dr. Emerson. The author herself was an Egyptologist so her world building is vivid and accurate. Crocodile on the Sandbank comes first in the series, but you can read the books out of order. I devoured these books before it ever occurred to me that I could write novels, and they were the strongest literary influence on my own mystery series. I highly recommend the audiobooks narrated by Barbara Rosenblat.

I WROTE: The Secret Life of Anna Blanc

It’s 1907 Los Angeles. Mischievous socialite Anna Blanc is the kind of young woman who devours purloined crime novels–but must disguise them behind covers of more lady-like reading. She could match wits with Sherlock Holmes, but in her world women are not allowed to hunt criminals.

Determined to break free of the era’s rigid social roles, Anna buys off the chaperone assigned by her domineering father and, using an alias, takes a job as a police matron with the Los Angeles Police Department. There she discovers a string of brothel murders, which the cops are unwilling to investigate. Seizing her one chance to solve a crime, she takes on the investigation herself.

If the police find out, she’ll get fired; if her father finds out, he’ll disown her; and if her fiancé finds out, he’ll cancel the wedding and stop pouring money into her father’s collapsing bank.

Anna must choose–either hunt the villain and risk losing her father, fiancé, and wealth, or abandon her dream and leave the killer on the loose.


Jennifer Kincheloe is a research scientist and writer of historical mysteries. Her novels take place in 1900s Los Angeles among the police matrons of the LAPD and combine, mystery, history, humor, and romance. Her books have won or been finalists in multiple awards including the Lefty Awards, the Macavity Awards, the Colorado Author’s League Awards, the Amazon Breakthrough Novel Award for Mystery, the Mystery and Mayhem Awards, and the Colorado Gold. She lives in Denver Colorado with her husband and two kids. There she writes books and studies the jails.

For more information, please visit jenniferkincheloe.com.

I Read/I Wrote: Bruce Robert Coffin

In the I Read/I Wrote series, authors introduce a book they loved–in the genre in which they write–and share one of their own books.


GENRE: Police Procedural

I READ: Ordinary Grace by William Kent Krueger

This was one of the best mystery books I read all of last year. Told from the view point of a young boy during one hot summer, it evokes a similar feelings as To Kill a Mockingbird. Rich in its descriptions of the small town and its inhabitants, the writing is fabulous.

New Bremen, Minnesota, 1961. The Twins were playing their debut season, ice-cold root beers were selling out at the soda counter of Halderson’s Drugstore, and Hot Stuff comic books were a mainstay on every barbershop magazine rack. It was a time of innocence and hope for a country with a new, young president. But for thirteen-year-old Frank Drum it was a grim summer in which death visited frequently and assumed many forms. Accident. Nature. Suicide. Murder.

I WROTE: Among the Shadows


First in the Detective Byron Mysteries, the novel introduces us to Detective Sergeant John Byron.

Fall in Portland, Maine usually arrives as a welcome respite from summer’s sweltering temperatures and, with the tourists gone, a return to normal life—usually. But when a retired cop is murdered, things heat up quickly, setting the city on edge.

Detective Sergeant John Byron, a second-generation cop, is tasked with investigating the case—at the very moment his life is unraveling. On the outs with his department’s upper echelon, separated from his wife, and feeling the strong pull of the bottle, Byron remains all business as he tries to solve the murder of one of their own. And when another ex-Portland PD officer dies under suspicious circumstances, he quickly realizes there’s much more to these cases than meets the eye. The closer Byron gets to the truth, the greater the danger for him and his fellow detectives.


Bruce Robert Coffin is the bestselling author of the Detective Byron mystery series and former detective sergeant with more than twenty-seven years in law enforcement. At the time of his retirement, from the Portland, Maine police department, he supervised all homicide and violent crime investigations for Maine’s largest city. Following the terror attacks of September 11th, Bruce spent four years working counter-terrorism with the FBI, earning the Director’s Award, the highest honor a non-agent can receive.

His short fiction appears in several anthologies, including The Best American Mystery Stories 2016.

Bruce is a member of International Thriller Writers, Mystery Writers of America, Sisters in Crime, and the Maine Writers and Publishers Alliance. He is a regular blog contributor to the Maine Crime Writers and Murder Books blogs.

He lives and writes in Maine. For more information, please visit www.brucerobertcoffin.com.

I Read/I Wrote: Peg Brantley

In the I Read/I Wrote series, authors introduce a book they loved–in the genre in which they write–and share one of their own books.


GENRE: Thriller

I READ: The Queen of Patpong by Timothy Hallinan

“Those who clump thrillers and mysteries into a lower-echelon genre are generalizing from the worst of the books. If ‘serious novels’ were evaluated the same way, the genre would look like junk—and obviously that would be unfair. The thriller/mystery form is a time-honored structure that stretches characters thin enough to make them transparent, one of the primary purposes of fiction. Oedipus Rex and Hamlet are murder mysteries. Macbeth is a thriller. I don’t want to hear about ‘genres.’ I want to hear about ‘books.'” — Timothy Hallinan, on genre

The Queen of Patpong is book #5 in an amazing series based in Thailand, primarily Bangkok. Queen was nominated for an Edgar (should’ve won) and anchors the Poke Rafferty books in an incredible way.

I began reading this series with the first book, A Nail Through the Heart. The strength of the stories lies in how delicate they are. A tapestry that is both powerful and vulnerable, and expands with each book.

This is Rose’s book, a beautiful woman with a tragic past. She and Poke (a travel writer from America) have finally married and it seems like their adopted daughter, Miaow, a former street child, is finally settling into the new family.

Tim writes the little girl with unbelievable skill, and invokes in Rose a dignity that should have been shattered during her time as a Patpong dancer. If you read Memoirs of a Geisha by Arthur Golden and were blown away by his ability to channel women, you will be doubly blown away by Timothy Hallinan’s portrayals.

Warning: Don’t start chapter 19 just before you go to bed. Because you won’t.

I WROTE: Trafficked

Sex trafficking.

Not Thailand. Or the Philippines. Or Russia.

It’s America.

Rich or poor, black or white, girls disappear across this country every day, pulled into the nightmarish world of prostitution and drugs.

Mex Anderson is back, tasked with finding three missing girls before it’s too late. Three girls. Three girls who could live in your town, your neighborhood, or your own home.

Jayla is fifteen. A smart kid from a poor part of town who has to fend for herself. She’s headed for college and a better life than her mother had.

Alexis is seventeen. Money has provided everything she could ever want except functional parents. Alexis has the world by the tail and she knows it.

Livvy is twelve. She’s a middle child who dreams of being a veterinarian when she grows up. But right now she just wants someone to notice her, maybe even to love her.

Caught up in a cruel system fueled by lust and money, all three young women must find the courage within themselves to survive. And Mex must come to terms with his own loss and face his demons head on—or he might not have the strength to save them.


 

With intent to bring credibility to her stories, award-winning author Peg Brantley graduated from the Aurora Citizens’ Police Academy, participated in the Writers’ Police Academy, interviewed crime scene investigators, FBI agents, human trafficking experts, obtained her Concealed Carry, studied topics from arson dogs to Santeria, and hunted down real life locations that show up in her books. For more information, please visit pegbrantley.com.

I Read/I Wrote: Leslie Karst

In the I Read/I Wrote series, authors introduce a book they loved–in the genre in which they write–and share one of their own books.


GENRE: Snarky Cozy/Traditional

I READ: A is for Alibi by Sue Grafton

By the time I came upon Sue Grafton’s A is for Alibi (published in 1982), I’d read plenty of mysteries, but they’d all been either Golden Age traditional/cozies written by women (e.g., Agatha Christie and Dorothy L. Sayers) or hard-boiled/noirs by men (e.g., Dashiell Hammett or Raymond Chandler).

So Grafton’s debut came as an awakening. Here was a book in the traditional “weary PI” style, yet written by and featuring a woman. And as I read on, I realized she’d created a sort of hybrid between the hard-boiled and the cozy—the story of a private investigator with no strings attached (“My apartment is small…. I don’t have pets. I don’t have houseplants.”) yet with a big heart (“I’m a nice person and I have a lot of friends.”). But most important, the novel was full of humor—a tad on the snarky side, yes, but who doesn’t love that?

Numerous authors have since emulated Grafton and, as a result, the line between “soft” and “hard” crime fiction is now far less rigid, allowing for a variety of new genres, such as what I like to call “snarky cozies” and “heartfelt noir.”

I WROTE: Dying for a Taste 

After losing her mother to cancer, Sally Solari quits her job as an attorney to help her dad run his old-style Italian eatery. Managing the front of the house, however, is far from her dream of running her own kitchen.

Then her Aunt Letta is found stabbed to death at Gauguin, Letta’s swank Polynesian-French restaurant, and Sally is astounded to learn she has inherited the place. But there’s a problem: the Gauguin sous chef is the prime suspect in Letta’s murder. Convinced of his innocence and dependent on his expertise to keep restaurant afloat, Sally is determined to clear his name.

Delving into her enigmatic aunt’s past, she is thrown into the unfamiliar world of organic and sustainable farming, Chez Panisse-style restaurants, and animal rights activists—not to mention buried family secrets. And as her list of suspects grows, Sally begins to realize that—as Gauguin’s new owner—she may be the next victim on the killer’s list.


The daughter of a law professor and a potter, Leslie Karst learned early, during family dinner conversations, the value of both careful analysis and the arts.

Putting this early education to good use, she now writes the Sally Solari Mysteries, a culinary series (yes, snarky cozies) set in Santa Cruz, California. For more information, please visit lesliekarstauthor.com.

 

I Read/I Wrote: Gigi Pandian

In the I Read/I Wrote series, authors introduce a book they loved–in the genre in which they write–and share one of their own books.


GENRE: Traditional/Adventure Mystery

I READ: The Amelia Peabody Series by Elizabeth Peters

I can’t imagine the mystery genre without the dozens of novels written by Barbara Mertz under her pen name Elizabeth Peters. Her books are what brought me to the mystery genre as a reader, and later turned me into a writer. She inspired many other mystery authors writing today. She pushed the boundaries of the traditional mystery genre, writing novels with globe-trotting adventure, romance, humor, larger than life characters, real history, and incredibly clever puzzles. She was one of the founders of Malice Domestic, the convention that celebrates traditional mysteries, and her books are grounded firmly in that tradition, yet she also transcends it.

I grew up an only child who tagged along on my professor parents’ research trips all over the world, so I entertained myself reading and writing stories. Elizabeth Peters’ novels are what I gravitated towards. In middle school, I discovered her Vicky Bliss mystery series. American art history professor Vicky Bliss traveled to foreign lands on mysterious and romantic adventures that were fun, incredibly clever, and full of intriguing characters and settings. That was the gateway series that led me to the Amelia Peabody Egyptology mysteries set in the late 1800s, and librarian Jacqueline Kirby series.

Recommended Reading:
Borrower of the Night (Vicky Bliss Book 1)
Crocodile on the Sandbank (Amelia Peabody Book 1)
The Murders of Richard III (Jacqueline Kirby)

I WROTE: The Jaya Jones Treasure Hunt Mysteries

I wanted to capture the spirit of those books I adored, but with my own spin. I created a character who was a Californian with roots in India, like me, and used my childhood travels as inspiration.

In the first Jaya Jones Treasure Hunt Mystery, Artifact, historian Jaya Jones discovers the secrets of a lost Indian treasure may be hidden in a Scottish legend from the days of the British Raj. But she’s not the only one on the trail. From San Francisco to London to the Highlands of Scotland, Jaya must evade a shadowy stalker as she follows hints from the hastily scrawled note of her dead lover to a remote archaeological dig to track down both a treasure and a killer.

There are now five books in the series, each going from San Francisco to a different foreign destination as Jaya solves a present-day crime linked to a historical treasure from India’s colonial history. One of the biggest thrills in my writing career has been that reviewers frequently compare my books to those by Elizabeth Peters.


USA Today bestselling and Agatha Award-winning author Gigi Pandian is the child of cultural anthropologists from New Mexico and the southern tip of India. She spent her childhood traveling around the world on their research trips, and now lives in the San Francisco Bay Area with her husband and a gargoyle who watches over the garden.

Gigi’s novels have been described as a cross between Indiana Jones and Agatha Christie. She writes the Jaya Jones Treasure Hunt mystery series (Artifact, Pirate Vishnu, Quicksand, Michelangelo’s Ghost, The Ninja’s Illusion, and The Cambodian Curse & Other Stories), the Accidental Alchemist mysteries (The Accidental Alchemist, The Masquerading Magician, The Elusive Elixir, and The Alchemist’s Illusion), and locked-room mystery short stories.

For more information, please visit http://gigipandian.com.

 

 

I Read/I Wrote: Art Taylor

In the I Read/I Wrote series, authors introduce a book they loved–in the genre in which they write–and share one of their own books.


GENRE: Mystery Short Fiction

I READ: The Specialty of the House and Other Stories by Stanley Ellin

The Specialty of the House and Other Stories gathers all the short fiction that Stanley Ellin published in Ellery Queen’s Mystery Magazine between 1948 and 1978—approximately one per year. At that measured pace, he established himself as the almost-undisputed master of mystery short fiction. Both his prose and his plotting stand out for their careful but seemingly effortless precision. “The Moment of Decision” (my favorite suspense story, period) has a fairly leisurely opening, but paragraph by paragraph, almost imperceptibly, the tension mounts between the two main characters: the owner of an estate who prides himself on his clear and absolute judgment and his new neighbor (and sudden rival), a former magician who argues that some questions remain unanswerable. A challenge turns into a bet, the stakes prove to have a life-or-death urgency, and the ending… Well, Ellin praised one of his own influences, Guy De Maupassant, for endings that were “unpredictable… but inevitable as doom,” and I’d argue that student surpasses mentor tale after tale. Other stand-out stories: “The House Party”—eerie, atmospheric, and with a Twilight Zone twist—and “The Day of the Bullet,” one of Ellin’s many stories that were adapted for TV’s Alfred Hitchcock Presents.

I WROTE: On the Road with Del & Louise: A Novel in Stories

While I’m not hardly in Ellin’s class—not hardly!—I also produce about a story a year for Ellery Queen’s Mystery Magazine, and one of those stories, “Rearview Mirror,” turned out to be an early step toward my first novel: On the Road with Del & Louise: A Novel in Stories. The title characters are Del, a small-time crook trying to go straight, and his girlfriend Louise, who narrates their journey from the American Southwest up the California coast, then cross-country en route back to her home state of North Carolina. Six adventures make up the novel—including a wine heist in Napa Valley, a wedding chapel hold-up in Las Vegas, and a kidnapping (of sorts) in North Dakota—and the larger story overarching all these is about where Del and Louise are going in a bigger sense, their relationship, their future. The novel’s structure of six linked stories also allowed me to play with various subgenres of mystery: among them a lighter caper story, for example, and a noir tale, and finally a traditional detective story—crooks turned amateur sleuths, some resolution there too. I was honored that the book—unconventional in several ways—earned the Agatha Award for Best First Novel.


Art Taylor is the author of On the Road with Del & Louise: A Novel in Stories, winner of the Agatha Award for Best First Novel. He has won three additional Agatha Awards, an Anthony Award, two Macavity Awards, and three consecutive Derringer Awards for his short fiction, and his work has appeared in Best American Mystery Stories. He also edited Murder Under the Oaks: Bouchercon Anthology 2015, winner of the Anthony Award for Best Anthology or Collection. He is an associate professor of English at George Mason University.

For more information, please visit arttaylorwriter.com.